Men At Work
23/04/13 at 2200 on Fox
Breckin Meyer, used to be sort of famous (go on Google, the sonnuvabitch, you will like totes recognise him from the movies) but now he is not, so he has created what I suppose is called a sitcom, though I am not entirely sure.
It has laughter (canned, natch) but nothing funny happens and there is no conflict, so it certainly isn’t a drama and there is no tragedy, ergo it must be a comedy. It is also half an hour long and has actors who have previously been in sitcoms, playing the same pick’n’mix roles that appear in these things.
We have a so called likeable main guy (played by someone from That Seventies Show), a geek/weirdo (if played by a woman they are known as kooky), a cocky, confident chap who is also good with the laydeeez, though here Breckin Meyer has split this character in two and we have a slick wise arse and a lady killer but they are best mates so we get two for the price of one. You lucky people.
Anyway, Milo (the likeable main guy) has broken up with his long term girlfriend and turns to his group of clichés to help him muddle through this difficult transitional phase, he gets drunk and pours his heart out to some girl, the lady killer has sex with three women (2 at one time), the cocky guy is witty and comes out on top and the geeky guy is geeky…though he does have a surprisingly hot girlfriend.
And that’s about it, it’s the same thing you have seen a million times but you won’t be used to seeing it this badly. The States tends to only export their good stuff but with all this globalism that’s been going on recently we now have to watch their crap as well.
I am sure when Breckin Meyer originally came up with his ‘Men at Work’, it was a brilliant and cutely observed piece on being suddenly single in your mid-thirties, it was probably full of original characters and snappy dialogue that dared show what men are really like (and ladies you may think you know what we are like, but really you don’t).
But then the suits got involved and sanded down all those nasty edges that seemed way too like real life. I bet Breckin Meyer fought every step of the way to keep it true to his vision but no doubt had a kid or something and eventually capitulated just to earn a buck.
Or maybe he so hated being sort of famous that he created the most vanilla and forgetful series he could think of just to burn any bridge that might take him back to Lala Land.
Or he thought anyone can write a sitcom. Ed. Hello Leverage fans! What do you think?